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Friday, January 09, 2004

Just as the rumble over

Just as the rumble over Adobe's new M$-style activation of Photoshop CS begins to die down, the squeaky wheels of the art community rear their ugly heads to champion a new cause: artistic censorship. Err... sorta. Basically, Adobe added some core code to Creative Suite that fucks with you if you try to use CS to counterfit money (Euros included). Personally, I think they did a pretty good job making this transparent and as long as you are within the legal fair use of currency duplication for art, you shouldn't have a problem. People just like to bitch for the sake of bitching perhaps? Anyhoo, here is a psuedo-official reply from Adobe: ______________________________ Kevin Connor - 06:33pm Jan 8, 2004 Pacific As someone at Adobe who was involved in the decision to include counterfeit deterrence in Photoshop CS, let me finally provide you with a response to all of these concerns and questions. Sorry for the delay!: Photoshop CS does indeed include a counterfeit deterrence system (CDS) to prevent the illegal duplication of banknotes. The CDS was created by a consortium of central banks from around the world. We, along with other hardware and software manufacturers, have included CDS in our products at their request to address the threat posed by the use of digital technologies in the counterfeiting of banknotes. There are other software products from other companies that already use this same technology. There are also hardware products that use the same or similar technology. For example, most color copiers sold today will not allow you to copy currency. As digital imaging technology advances, becoming more broadly available and user friendly, the old barriers to currency reproduction are becoming less effective. The unscrupulous are taking advantage of the functionality that is being provided to the vast majority of honest users for the purposes of counterfeiting currency. In the US and around the world, counterfeiting through digital means is increasing exponentially, and retailers and the general public--including our own customers--are at risk. Counterfeit currency is essentially a hot potato. Whoever holds it last, loses. The person who loses isn't necessarily the counterfeiter. There's no government body in place to "reimburse" people who, through no fault of their own, get paid with currency that turns out to be counterfeit. In our implementation of CDS, we've worked very hard to balance the need to protect these unsuspecting victims of counterfeiting along with the need to continue to provide a product that efficiently does what honest customers need it to do. There appear to be several major concerns and objections repeated throughout this message thread, so I'll try to address each one individually: 1. Performance: CDS does not cause any noticeable slowdown in Photoshop performance. During most operations performed in Photoshop, CDS is not used at all. When it is used, the performance impact often is just a fraction of a second. 2. Legal use of notes: It is true that the current implementation of CDS will prevent you from scanning in your own banknotes even if your usage intent is entirely within legal boundaries. Regulations for using banknote images vary by country. It is the responsibility of the central bank in each country to provide images that can be used within the legal guidelines of that country. In other words, if you want to legally reproduce images of the new $20US bills on a Web site or in a marketing brochure, you can contact the U.S. Bureau of Engraving and Printing for legal images that can be opened and manipulated in Photoshop CS. (You can visit them at http://www.moneyfactory.com.) Similar solutions should be available in other countries. If you find that your central bank is not providing adequate support to permit legal uses of their banknote images, then you should let them know. 3. Adobe's intentions: Please be assured that this implementation of CDS is not a step down the road towards Adobe becoming "Big Brother." We know that one of the reasons people love Photoshop is because it's an incredibly flexible tool that can be used for so many different things. That's also one of the reasons we at Adobe enjoy working on new versions. Finding ways to prevent you from doing things in Photoshop really doesn't interest us! Moreover, the CDS is not Adobe technology, but was provided by the central banks, who would have no reason to want to restrict anything other than bank notes. Counterfeiting is really a special case in which we could see how our own technology advances were making it easier to commit crimes and we were asked to implement a solution that would have minimal impact on honest customers. Yes, there is some impact, in that you need to contact your central bank for images, but our hope is that it's not a huge inconvenience for that small group of customers who do need to reproduce these images in their graphic design work. It also provides the central banks with an opportunity to better educate customers on exactly what is and isn't legal usage. Of course, CDS in Photoshop CS is essentially a 1.0 implementation of a feature, analogous to the state of the layers palette in Photoshop 3.0. We realize that there may be room for improvement, particularly if there are corner usage cases that weren't taken into account in our current designs. We do want to hear about your concerns, and we definitely want to hear if there's a specific problem that this implementation has created for you. As with any Photoshop feature, we depend on hearing from customers so that we can make continual improvements release after release."
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Wednesday, January 07, 2004

Give a hoot. Fuck Fotki

Give a hoot.
Fuck Fotki and their damn green-ass prints. I received some photos today in the postio. Some turned out shitty because of poor photography on my part. Some turned out well. Some had roast beef. Some had none. Some had a tinge of fucking green that didn't belong because Fotki be some green luvin' beeyotches. No worries. I think if I ever sold any of the green prone ones, I'd go to a "real" lab to have them done. I can't bitch because my monitor isn't even color corrected. Hell, for all you know, this barn owl was purple in real life. Like Grimace.
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Word.

Word.
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Tuesday, January 06, 2004

Drivel. The failing, semi-bladeless CPU

Drivel. The failing, semi-bladeless CPU fan on my laptop sounds like a 5 inch Stewart Little biplane buzzing around my desk. My commuting to work without a laptop computer would be analogous to a surgeon scrubbing for the O.R. with no scalpels available in the hospital. Lance trying to ride the Tour without a bicycle. Ok. Maybe a little dramatic, but you get the gist. I exposed the first photograph this afternoon that I have in over a week. Rubble. There are some large items of machinery that specialize in destruction tearing down a building downtown. I found it peculiar that they aren't blowing it up with precision charges or knocking it down with a wrecking ball, but rather nibbling away at it with these mutated backhoe-on-steroids type monstrosities. Nibble nibble. One room at a time... one floor at a time... nibble. I've gone back to using a wooden pencil almost exclusively while at work. The kind we all used in grade school with the too-soon-expended eraser and sporting the knuckle warping hexagonal shaped cylinder of wood design almost exclusively painted yellow(ish) in color. I like it. I'd like to throw all the mechanical pencils off the roof of my building. Yeah. I'd like that almost as much as melting a tray of ice cubes made from rainbow spectrum food colored water on a mirror covered in powered sugar. It seems almost as random. I find an air of subtle comedy in being at work this very instant. My innate direct report has just asked me to cross train another engineer on how to do a relatively complex networking task just because he attended a week long seminar on networking basics. I can now walk on water and turn that very same water to wine. Get in line. I wish I could whistle the overture to Guillaume Tell while patting my tummy with one hand and juggling quail eggs with the other... all while riding a unicycle blindfolded. Fuck this nuthouse. I'm down for beer at Molly's after work. Who's coming!?
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I chimp. I chimp composition

I chimp. I chimp composition and histograms... yeah... but I'm a chimper. So what?
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Monday, January 05, 2004

So, yeah. New Year. Potentially

So, yeah. New Year. Potentially overrated festivities... or maybe I'm just getting old. EL and I had a wonderfully quiet New Year in pseudo-recovery from our post-Christmas sickness. This first week of bling phatty 2004 has been uneventful as well. Nice. Work has been teetering between smooth ride and repetitive grind as most of the squeaky wheels were out for vacation. My hopeless boss has been more tolerable as I feel the will seeping from me with each passing day here. You will be assimilated. I have been inactive in photography outside of pressing the delete key on countless photos in my piss poor excuse of a portfolio folder on the 'ole hard drive. EL and I drove the mile or so it is to the nearest coffeehouse for New Year's brew and noticed about 5 times the normal number of cars in the local gym parking lot... filled to capacity. People are sheep. We couldn't get a table at our favorite Italian place on New Year's Eve but that was alright because we weren't out for a "special dinner" like the masses... just to feed. The manager was a odd blend of smug and apologetic at the same time. I'm sure it was a tough act to follow when we went back this weekend and had the entire restaurant to ourselves. It was excellent. I wish I could reserve the place as such at will. The Houston METRO light rail had another wreck... or was it two? I lose count. People will die by that train. Mark my words... this year, it'll happen. As I was just considering blogging about my friend Rob's birthday today (Happy Birthday Rob!), I realized I've forgotten how old I am. Where is my calculator? Ah yes. I remember now. Our cats are unhappy because we've changed their eating situation to twice a day verses the continuous feeder thingy. They aren't hungry... just not in control. Cats like to be in control. The dog also got a feeding regimen change... however, dogs don't care as long as you love 'em. I requested a new laptop at work. The case is broken and the CPU fan is missing teeth so it makes a terrible card-on-spoke kinda sound when it rev's up. The mouse button pad is held in by packing tape and the keys sometimes don't work. My motherboard won't support a memory upgrade sufficient to ease my speed problems. It's an old processor that hates me. My battery life is down to 15 minutes on a fully charged new battery. That is just wrong. I may as well cart a desktop PC in a wheelbarrow with a long ass extension cord. It was hot here in the New Year. I've run my air conditioner 4 days of the 5 since the calendar flipped. It was 80 degreed this week. It's a quick trip from pimp layered winter clothing to summer swim trunks, eh? It's cooler today. Today. I grasped a free calendar from the big box of free calendars in my office. I mean... it was free. It turns out that it's an almanac calendar. Have you ever tried to read one? You need training to find the numbers that represent the dates. I can tell you when the moon rises in each phase and where to plant your corn, but don't ask me what fuckin' day it is. Really though... I sincerely hope this first week of the new year has been a good one. Two and a half hours from making it through the first Monday of 2004... so close... it's almost done! pee ess... I keep coming back to these eagle photos. I really dig 'em. If you have a moment, please take time to view/comment/rate this one. It's a wee bit different. Thanks.
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